
Gator GRR-6L rolling 6U rack
The wheeled pull-handle case that protects the build and lets me load in fast without carrying a stack of loose gear.

A rolling 6U system built for podcasts, conferences, live streams and concerts. One case, eight inputs, four ISO recorders and far fewer loose cables.
Everything inside
This follows the video from front to back. Products marked Planned are upgrade candidates, not gear already inside the rack. If I did not name an exact model, I say that clearly.

The wheeled pull-handle case that protects the build and lets me load in fast without carrying a stack of loose gear.

Eight HDMI inputs, a fast live-switching surface and an ISO safety recording. Everything in the rack routes back to it.

Four decks can record four separate cameras. One deck can switch to key-and-fill playback when every camera ISO is not needed.

The SDI-to-HDMI bridge for SDI camera feeds and a HyperDeck key-and-fill playback path into the HDMI-only ATEM Mini.

One place to protect and power the rack. The pull-out work lights make cable checks easier in a dark venue.

A 17.3-inch pull-out HDMI and SDI display that gives the fly pack a full multiview without the price of a premium broadcast monitor.

Runs overlays, transitions, graphics and AI-assisted automation. I use a second Pi for the wireless control surface.

The easy guest-input path. A presenter can AirPlay a phone or laptop and get media into the fly pack without a cable handoff.

A Raspberry Pi, battery pack and Bitfocus Companion turn this into a wireless ATEM control surface anywhere in the room.

Dual-band wireless HDMI for cameras that need freedom to move. It has latency, but it works for my small events, podcasts and conferences.

One of the cameras I run into the fly pack. A camera operator used it onstage with the performers while sending video wirelessly.

All the rack connections in one clean place: HDMI, SDI, monitor out, USB, WAN, LAN and power, built with D-size connector cutouts.

The local network and internet bridge for the ATEM, HyperDecks, Raspberry Pis and Apple TV. The b-roll shows model GL-AXT1800.

The hardwired center of the private rack network, connecting the recorders, switcher, control computers and Apple TV.

The next shell for the build. Two additional rack spaces make room for proper audio management and the larger video workflow.

The switcher upgrade I am considering as the workflow grows past what the ATEM Mini is designed to handle.

The dedicated streaming encoder the Constellation build needs to get a finished program feed online.

A future near-zero-delay wireless path to replace the CineView system when the job calls for tighter live camera timing.
Still being chosen
The 8U rack creates room for proper audio management, but I have not named the exact mixer or professional wireless receiver system yet. Those links will be added when the build is final.